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Fiction

Halfway through my second Palahniuk novel to read, and I get him as an author:

  • Repetition
  • Socialist Ideas
  • Disgust with consumerism & modern society
  • Sex
  • Being very clever
  • Awesome plots

Chuck describes the internal thoughts, and thoughts on the surroundings, rather than the surroundings themselves. So, the trees looked green to him, rather than the trees are green.

This book involves a sleeper agent child in the USA, and is presented as dispatches regarding his achievements. They are written in a unique style – English, technical, obsessive. And obviously not real – real would be in Pygmy’s native language, especially the flashbacks to his younger years. So from early on you realise this is all just fun. The style is hard at first, but you do get used to it, and it is not as difficult a read as it may seem. For me anyway, maybe others would give up, although I usually can’t handle difficult reads with challenging language.

This is my favourite paragraph, where this North Korean / Chinese / Russian et al kid spy describes a high school dance – his mission seems to be to either impregnate or kill everyone…

Occasional male student approach female, request mutual gyrate to demonstrate adequate reproductive partner, fast gyrate to display no cripple. No genetic defect to bequeath offspring. Demonstrate coordinated, plenty vital to provision impregnated female throughout gestation period. Provision subsequent offspring until matured. Females flaunt dermis and hair to depict viable vessel for impregnate, paint face so appear most symmetrical. Best likely produce frequent alive births.

So far there have been infiltrations, numerous teen pregnancies, Rohypnol, mass shootings, martial arts and sodomy. This is confronting stuff.

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A documentary is aired (in the fictional story and as a teaser to the TV series) about a mysterious facility that has been discovered in Nevada. It is mostly found footage from a documentary maker who has disappeared. The person who edited and produced it has also disappeared.

“The Scar” is an abandoned mine with a strange structure built on top of it. Like a large concrete auditorium or gymnasium, it is featureless on the outside and inside except for four things: a 3-foot high door for entering it, and a massive mural on the ceiling. The mural is of what looks like a cauterised wound, a fissure or a scar.  And the roof is painted to match the surrounding desert. From above the structure is perfectly camouflaged. It is in a small low valley, where it is not visible from local known places. The fourth thing is a giant metal trap door in the floor with no visible means of opening it. An esoteric symbol is on the door.

Google Maps clearly shows how well disguised it is, but aerial photos from 1948 show what lies beneath the building, before it was built – a scar in the ground identical in shape and size as the mural.

Local (ranchers?) are interviewed, they all say it used to be a mine (and describe it with the same words, like what they heard came from the same source) and they have all heard various rumours:

It was a retreat for crazy artists
Survivalist bunker
Nuclear test site
Prison for domestic terrorists
Set for a movie about aliens that was never released
Hellmouth

THE TV SERIES

The first four episodes are each about people who saw the documentary and felt compelled to go find The Scar and solve the mystery. We see their background, why it interests them, what they are risking (family, friends, jobs, school) if they get caught or make fools of themselves. And see their visit to The Scar. Each discovers something new about the place, and each doesn’t return.

5. (Earlier) A scientist, high up in the military, decides to blackmail his superiors. He has abandoned his job and taken secret files with him.

6. (Earlier)  Military officials decide to call his bluff with a documentary where they control the information – disinformation. At the same time a massive manhunt is under way with orders to shoot to kill.

7. (Earlier) The scientist leaves copies of the files with his cousin, a young woman, asking her to release them if she never hears from him again. She never hears from him again.

And then….

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(so please be kind. I have the ideas, just unsure if I can get them down in a likeable way).

Here be 3 beginnings to the same story, streamed out to loud music, wine and soon whisky, in an hour or so. Literature it isn’t. The genre is thriller / horror. If anyone was to actually read these, I’d take votes.

1A

I left the whisky bottle until last because it wasn’t going to fit, and it didn’t. I crawled out of the tent, which I was also leaving behind. Out of space and out of time. Time to flee.

Kookaburras hooted and hollered from close by. They sounded like a crowd at a comedy festival, but these days you avoid crowds and nothing is funny any more. And I knew it took just two to make such a noise. You’d think knowing the bush should give me a strategic advantage, but not really. It’s not exactly a jungle. You can’t really hide. Knowing which direction I was running, that’s my advantage.

I could hear voices as well. Just loud organising, commands. Not close enough to see me, and they don’t even know I’m here so I figure they are walking. Men, walking. A number of men. Their need is anyone’s guess, but to be out here my guess is that they have heard about my cache. Good luck finding that, and good luck to whoever told them.

I ran hard, zigging and zagging around gum trees every so often, but mostly in a straight line. My phone alerted again, so I would have just triggered another of my sensors. My life-savers. As much as I have been leading a primal life, technology is keeping me alive.

1B

Dreams let me go, and sirens from my phone took over. A perimeter breech. My shaking hand silenced it. Dawn light through the nylon tent walls showed my go bag, an empty whisky bottle, a half-full whisky bottle, clothing, my boots and the heavy blanket I was under. I was facing the wrong way, so that took a moment to get my head around. Then I was dressing, lacing, deciding. No time to pull down the tent. The tent would inspire them. I fled.

The triggered sensor was up hill. I ran down hill. Australian bush is sparse, and easy to run through. But downhill, in leaves, at pace, I had to be careful to stay on my feet. A sprain could kill me.

1C

Dawn breaking and snores catching, Barry was waking anyway. Crashing early and stinking of whisky were signs of a solitary life. The phone alarmed and Barry struggled to find it, he had turned around in his sleep, or maybe he had just felt like a change. There aren’t many opportunities to randomise out here.

Sunlight made the tent feel like being inside a paper lantern. Phone silenced. Blanket rolled and strapped. He struggled into his pack and crawled out through the flap, leaving it unzipped and flapping in the breeze. The kookaburras that woke him were quiet now. Just leaves tinkling softly. Eucalyptus in the air. And a man barking orders at the limits of his hearing. Unmistakably human, and the first human voice he had heard in months. Barry fled.

The forest barely got in the way, narrow tree trunks with high branches and metres apart. Like a guppy escaping a shark net was Barry and he sped downhill at a steady pace that could last him an hour. Don’t leave any trace, and don’t slip and fall in the leaves. That was all he thought about until the next thought: where to next?

The cache won’t be found, and he can return. The Henrys should be warned, but he won’t fight with them. The highway is truly a throw of the dice, and the bush is relentlessly the same for the next 30 miles in the other direction.

Panting heavily, Barry found the door ajar and the Henrys’ house was abandoned. A few worthy items lingered, signalling a hasty exit.

Paths left and right led away from the house but Barry took the stream, slowly, careful not to leave a trace. He took it for a kilometre and then took off his boots and tiptoed across a grassy glade, for several hundred meters and around a corner. The retreat of Mr and Mrs Henry that only he knew about.

Don Henry was aiming his rifle behind and beyond Barry, and saying hey. Exhaustedly saying hey, as if after all the preparation and the years he was ready to surrender to the bone dry grass and rising sun in his sights.

 

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